Doom soundtrack added to National Recording Registry

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Doom soundtrack added to National Recording Registry

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Doom soundtrack added to National Recording Registry

Haters are gonna hate the fact Bobby Prince's demonic dirges rank with Taylor Swift's 1989

Simon Sharwood

Simon<br>Sharwood

APAC Editor

Published<br>mon 18 May 2026 // 08:30 UTC

The perennial question "Can it run Doom?" has a new answer, of sorts, after the USA's Library of Congress (LOC) added the iconic game's soundtrack to its National Recording Registry.<br>An announcement of this year's new additions to the Registry hails Bobby Prince's 1993 soundtrack as "the perfect riff-shredding accompaniment for the game's demon-slaying journey to hell and back."<br>"Key to Doom's popularity was the adrenaline-fueled soundtrack created by freelance video game music composer Bobby Prince," the LOC asserts, before revealing that the composer took inspiration from "a pile" of CDs loaned by Doom designer John Romero, including "seminal works by Alice in Chains, Pantera and Metallica."

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Prince was apparently "fascinated" by MIDI (Musical Instrument Digital Interface) and used his knowledge of the standard "to ensure that the sound effects he created could cut through the music by assigning them to different MIDI frequencies." That approach, the LOC says, saw the Doom soundtrack "go on to inspire countless remixes and lay the foundation for future generations of game composers."

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The Doom soundtrack is the third recording to make its way into the National Recording Registry, which added the Super Mario theme by Koji Kondo in 2023 and last year selected Daniel Rosenfeld's Minecraft: Volume Alpha soundtrack.<br>Joining the Doom soundtrack in the archive are Taylor Swift's 2014 album 1989, Beyoncé's 2008 tune Single Ladies, and Weezer's 1994 debut The Blue Album.<br>The National Recording Registry adds 25 titles each year, as recommended by the Librarian of Congress, who gets advice from the National Recording Preservation Board. All works added to the Registry are at least a decade old and are held to be "culturally, historically, or aesthetically significant."<br>Other nations collect games, and therefore soundtracks, in their national archives – but don't conduct an annual inculcation process in the same way as the USA's National Recording Registry. ®

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