Heavyweight, to whom it may concern

jruohonen1 pts0 comments

Heavyweight, to whom it may concern | Neural

JavaScript is required for this website to be displayed correctly. Please enable JavaScript before continuing...

English<br>Italiano

Search

Twitter

Facebook

Instagram

Youtube

Flickr

About

Subscribe

Contact

RSS Feeds

Switch to B&W

Subscribe to Neural

Neural 78, Voices, Humans, MachinesNeural 78, Voices, Humans, Machines" >Current Issue

Back Issues

Find Neural in Stores

Neural Archive

The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.

Your browser does not support iframes.

Microposts

24 Nov

Retweet this

Share on Facebook

Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.

02 Jul

Retweet this

Share on Facebook

The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his "Mechanical Techno: Ghost in the Machine Music." More than a proof of concept a machine music declination.

30 Jun

Retweet this

Share on Facebook

Isn’t ASCII Art a perfect form of "graffiti" in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.

29 Jun

Retweet this

Share on Facebook

YesNo by Timo Kahlen feels like "traditional" net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.

29 Feb

Retweet this

Share on Facebook

The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it."

10 Jan

Retweet this

Share on Facebook

Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.

29 Aug

Retweet this

Share on Facebook

Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400

08 Jul

Retweet this

Share on Facebook

GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.

Software artists in the 2000s experimented with forged documents generators to obtain social support or to produce fake cease and desist letters. These documents were plausible but featured a distinctive aesthetic. In Morry Kolman and Kendra Albert’s Heavyweight, the generated lawyer letter is highly realistic and can be customised through a few parameters, addressing what colleagues might notice when evaluating the firm. The artists claim that the generator is protected speech, but disclaim any responsibility for the use of the letters, which, like any controversial artefact, can produce results depending on how they are used, and not necessarily in their purpose alone.

Morry Kolman and Kendra Albert – Heavyweight

3D<br>3D printing<br>3D video game aesthetic<br>8 bit<br>8-bit aesthetics<br>abstract<br>abstraction<br>acousmatic<br>acoustic<br>acoustic space<br>acoustic/digital<br>activism<br>acusmatica<br>aesthetics<br>afrofuturism<br>algorithm<br>algorithms<br>ambient<br>ambient noise<br>ambient-drone<br>ambiente sonoro<br>analogue<br>analogue machines<br>analogue sounds<br>analogue to...

facebook retweet share neural analogue heavyweight

Related Articles