Voice → Notation
Voice → Notation
Sing into the mic. The metronome sets the grid; whatever pitch you hold in each subdivision gets written down.
Start listening<br>Stop<br>Clear score
0.0 Hz
−50¢in tune+50¢
Your fundamental, drawn against staff positions. Vertical lines are beats; darker ones are downbeats. Dots are pitches committed to the score; a red stem through a dot means it heard a re-attack and wrote a new note rather than tying.
Score
MusicXML<br>ABC<br>SVG<br>Print
Clef
Auto (fewest ledger lines)<br>Treble<br>Treble 8vb (tenor / male voice)<br>Bass
Key
Auto-detect<br>C / a — no accidentals<br>G / e — 1 sharp<br>D / b — 2 sharps<br>A / f# — 3 sharps<br>E / c# — 4 sharps<br>B / g# — 5 sharps<br>F / d — 1 flat<br>Bb / g — 2 flats<br>Eb / c — 3 flats<br>Ab / f — 4 flats<br>Db / bb — 5 flats
Nothing written yet.
Copy<br>Download<br>Close
Metronome & detection
Tempo 90 BPM
Grid
quarter notes<br>eighth notes<br>sixteenth notes
Beats per bar
2346
Pitch tolerance ±50 ¢
Noise gate 0.003
Click volume 40%
Re-attack sensitivity 0.45
Re-attack sensitivity decides whether two same-pitch cells are one held note<br>or two repeated notes. It listens for the dip in volume between them: a note is split when the<br>quietest moment at the boundary falls below this fraction of the note's own loudness. Raise it to<br>split more eagerly, drop it to 0 to never split — everything then becomes one long tied note, as before.<br>Sing repeated notes on separate syllables ("ta-ta") and it works; sing them legato on one vowel and<br>nothing in the signal distinguishes them from a held note.
Use headphones — otherwise the click bleeds into the mic. The noise gate ignores anything quieter than the threshold; the tolerance rejects pitches further than that from a real semitone, which cuts slides and scoops.
Input device & signal analysis
Input device<br>Default input
Scan inputs for signal
Secure context—
Inputs found—
Mic track—
Sample rate—
Input peak—
Input RMS—
Detector—