Dubbing software for film and television<br>Early accessMenu
Picture locked · Sound in progress<br>Professional dubbing, directed by you.<br>WooblaDub is a dubbing workspace. You rebuild the dialogue and nothing else — the picture is never re-rendered, and the music, effects and ambience of the original scene stay underneath it.<br>Start in the StudioSee the workflow
Picture · untouched<br>--:--:--:--
00:0000:0200:0400:0600:08<br>Dialogue · ENRebuilt<br>ROLE AROLE BSEO-YEONJUN-HO
Music & effectsPreserved
Ambience · room tonePreserved
Workspace diagram · one track is replaced, the rest of the scene is not
Broadcasters<br>Feature & episodic<br>Vertical drama<br>Independent film<br>Distributors<br>Localization teams<br>§ 01 — The positionEVALUATION CLIP · TEARS OF STEEL · EN → DEBuffering both versions…00:00:00:00<br>OriginalWooblaDub<br>▶Play the evaluation clip<br>PlayOriginal production dialogue, as delivered.<br>Action-sequence performerSource · EN → Adaptation · DE<br>Nooooo!<br>Neeein!<br>Directionsustained panic, collapsing at the end
All 6 linesAction-sequence performerNooooo!Neeein!<br>CeliaYou broke my heart.Du hast mir das Herz gebrochen!<br>ThomI know.Ich weiß.<br>CeliaYou forgot me on earth.Du hast mich auf der Erde vergessen.<br>ThomI know.Ich weiß.<br>CeliaI should just crush you.Ich sollte dich einfach zermalmen!
Thirteen seconds of Tears of Steel, English into German. Six lines, two characters, one argument. Music, effects and room tone are the original recording in both versions; only the dialogue was rebuilt.<br>Dialogue synthesised · AI-generated audioTears of Steel · (CC) Blender Foundation | mango.blender.org · CC BY 3.0
A dub is not a translation. It is a second performance, and someone has to direct it.<br>This is a working environment, not a button. You cast the voices, shape the reading and adjust the line against picture. The machine does the labour; the judgement stays with you. We are in evaluation with launch partners, and no language route has passed a locked-media review yet — the Languages page says which ones are close.<br>We areA multilingual dubbing production workspace. Dialogue is rendered through a voice provider account you connect — a licensed stock voice, or one you hold the rights to. The adaptation, casting, direction and approval stay with you. Picture-immutable by default.
We are notAn instant video translator. A face-regeneration product. A voice-model owner. An unattended one-click output.
Locked cut to delivery, in six passes.<br>§ 02 — The workflow<br>01Bring in the cut<br>Video, screenplay, SRT or transcript. The timeline is built from what you already have.
02Adapt the dialogue<br>Translate, then rewrite for mouth and rhythm. Source, gloss and adaptation on one screen.
03Cast the voices<br>One voice per character across a whole title. Casts bind to characters, so they survive a season.
04Direct the take<br>Quieter. Further back in the room. Slower. You write the note a director would give.
05Review and approve<br>A-B the original against the dub anywhere on the timeline. Every decision keeps its history.
06Deliver the record<br>Final video, stems, cue sheets, subtitles and the QA record a distributor asks for.
Three things get called dubbing.<br>§ 03 — The comparison<br>How a human-directed dubbing workspace differs from an automated video translator and from a visual dubbing productAutomated translatorVisual dubbingWooblaDubThe pictureUntouchedRe-rendered to fit the new dialogueUntouched, and checksummedMusic, effects, room toneUsually flattened into one trackPreservedPreserved, provenance recordedChanging one lineThe whole output regeneratesThe whole output regeneratesThat cue rerunsHow you direct itA promptA promptA note, cue by cueWhose voice modelsThe vendor'sThe vendor'sYours, in your own accountWhat you receiveA finished fileA finished fileStems, script, cue sheet, QA record
The performer decides. The editor is accountable.<br>§ 04 — Consent & rights<br>There is no mechanism in WooblaDub that would let us own, resell or clone a voice, because we never hold one.<br>We do not own voice models<br>You connect your own provider account. Consent stays inside the agreement you already hold.
We do not train on your material<br>Your material produces your dub. It does not improve output for anyone else.
No performer is synthesised without agreement<br>Where a provider holds a performer’s consent, that provider stays the record of it.
An editor of record signs the work<br>Every approval carries a name and a date. Since 2 August 2026 the EU AI Act has expected someone to be identifiable as responsible for a synthesised performance. That is the same person.
§ 05 — The production recordYour project leaves with its production files.<br>No black box. Everything the dub was made of leaves with you, in the formats a mixer and a QC house already use.<br>EVALUATION CLIP · TEARS OF STEEL · EN → ESBuffering both versions…00:00:00:00<br>OriginalWooblaDub<br>▶Play the evaluation clip<br>PlayOriginal production dialogue, as delivered.<br>A different scene, English into Spanish. Every element you can...